The reel at the top, a page for every edit below
An editor is judged on thirty seconds of reel, then on the detail: which film, for which production company, what role exactly — edit, grade, graphics. A Vimeo link sent by email says none of that.
Your home page opens on a film, and every edit has its page: the player rebuilt from the YouTube or Vimeo link, the title, the production company or agency, your role, the year, the description. Google reads the text and the structured data of each page; the visitor reads your credits.
Traxo plays your films from their YouTube or Vimeo link: it doesn't host the files, so your video host's plan, and what it costs you, stay your own business. If you move a film from one host to the other, you change the link on its page.
- A credit line under every film: role, production company, year
- A YouTube or Vimeo link is enough, nothing to upload
- Three service pages: advertising, social media, music videos
“Last year, our annual Vimeo Plus subscription cost us $108. This year, without any meaningful change in how we use the service, Vimeo automatically classified our account as a corporate account and moved us to its Studio plan for $4,800 per year.”
